Picture Information. Cardioid dynamic instrument microphone offers clean reproduction of amplified and acoustic instruments. Features Contoured frequency response for clean, instrumental reproduction and rich vocal pickup I've been wanting to find a reasonably priced condenser for my hi hat too, I have some cheap Nady's and Shure SM81's sound so much warmer, but they're too expensive. Pneumatic shock-mount system cuts down handling noise Yep. 38 product ratings - SHURE SM57 Cardioid Dynamic Microphone Wired w/Soft case [Exc++] Used Japan 1022. 18/12/14/5x14. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. What wood snare would you recommend? Davedog Well-Known Member. Eliminate a mic stand and mic up your hi hat with a lightweight attachment to the hi hat itself. But with the G5790 you can go either side and I prefer the hi-hat side to try and get the back (or side) of the mic towards the hat for minimizing leakage. Its tight cardioid polar pattern gives you exceptional isolation. You can quite literally use a 57 on just about everything in the band. For the same reason, it's great for recording in untreated rooms. Its tight cardioid polar pattern gives you exceptional isolation. I actually prefer it to a cheap condenser...sounds like bacon frying. From United States A 57 as an overhead or hi hat mic works pretty well-if you roll of lows. Comes with switching tool, clip, manual and Shure brand case (SM57/58 size). Hi hat miking is the red-headed stepchild of drum miking in the studio. The early sm57's from the 70's and early … Top Rated Seller Top Rated Seller. The SM57 is heralded as an amazing snare mic. You'll want to avoid mics with a midrange (1-3k) boost to avoid a hard sound. So for home studios, it’s the only mic I recommend. Opens image gallery. The pickup pattern effectively rejects bleed from the hi-hat and toms effectively whilst it is able to draw out immense body and depth from the snare drum. Of all the cymbals on the drum kit… Few folks would argue that the hi-hat is the most important of them all. The sound of the SM57 isn't the only thing that makes it a fantastic workhorse microphone. Speaking of unorthodox setups, Cold Blood's Sandy McKee. But the SM57's stellar off-axis sound rejection is not only great in the studio. In fact, one of the reasons the Shure SM57 is such a popular snare drum microphone is that you can position it to reject the sound of the nearby hi-hat. shure wireless microphone sm57. I use Neumann KM 185, although before I used to mic Hi-Hat with SM57. Good luck! Depending on how close the first high tom or hi-hat is to the snare drum determines which side of the snare I place the SM57. I recorded this with 57s on everything but the bass drum. I sometimes miss the simpler times when I was just playing unplugged and the only thing mic'd were the singers. condensor Mic would be a better choice. Shure SM57 Product Overview by GAK. Perfectly at home in the studio too. C $45.67. ... Cymbal Microphone Hi-hat Condenser Overhead Pyle Pdkm7-c+Shure SM57/58 Size Case. Not quite the punch you would get from a large-diaphragm mic, but workable. It's sort of interesting but not as much as drums. I have $250. While a 57 can be used on any part of the drum kit & sound pretty good for a high hat mic a small Dia. Tested and works perfect! In fact, I've used 57s for drum mics on everything, and it was better than many "drum mic packs" I've tried or heard. It's decent on floor tom, although it seems to pick up a lot of spill from the rest of the kit, snare and hi-hat especially. I always want the option to add a tiny bit of close hat mic to the mix to help place the hat in the stereo field and give a nice 'tick' to the mix. A 57 works great live though. According to AKG's website that you linked to, the mic is a cardioid, not a condensor. The Shure SM-57 from sure is one of the most popular microphones on the market today. Dynamic microphone Polar Response: Cardioid or super-cardioid; Example: Shure SM57, AKG 451; Technique. Thanks to its extended frequency response and silky smooth high frequency response, the SM7b continues to be a popular studio microphone on major recordings. This is a more expensive snare drum mic than the Shure SM57 but this is a beautifully designed and seemingly indestructible microphone that delivers a very detailed and natural sound. In fact, one of the reasons the Shure SM57 is such a popular snare drum microphone is that you can position it to reject the sound of the nearby hi-hat. Re: Shure sm137, Audix F9 , for hi hat use ? I am wondering if anyone has tried using an SM57 for live or studio projects on the hi-hat. Mouse over to Zoom- … You must log in or register to reply here. Que tal amigos me gustaria saber si alguno de ustedes a grabado hi hat con microfonos SM57 o algun microfono parecido. My favourites are the KM184, AKG C451, MXL 603 and Rode NT55. The Neumann will give more top end. The SM81 works just fine for this, but this is also one of those places where you could use a cheaper mic and get away with it. Sold! Its tight cardioid polar pattern gives you exceptional isolation. From Japan. The dynamic SM57 mic performs reliably delivering natural sound night after night. “Because much of the hi-hat sound comes from the overheads, typically the hi-hat mic is just adding presence and punch. Mic setup: Kick in: Sennheiser MD421 Kick out: Akg D112 Snare top: Sm57 Snare bottom: Sm57 Tom: Sm57 Floor tom: Sm57 OH: Neumann Km184 Head: Sm57 Hi-hat: Neumann Km184 Room mics: Akg 414 Published December 2020 . That not true, the sm7b has a bit more going on than just the low cut and mid boost! Sounds like an SM57 will do just fine! Hi-Hat Mics. Through a neve pre it just sounds like a record on guitar. There’s a mid-range boost on the SM57 that is lacking in the e609. In my review I said that the sm57 is the same mic as the sm7b other than the low cut and mid boost!